Philadelphia’s Sun Airway can be a lot of things. Musical and visual stylists. Surrealist dreamers, lovelorn introverts, sonic trailblazers – often all within the same song. Their dazzling sophomore record Soft Fall was released on Dead Oceans on Tuesday, and the band is celebrating its release with a hometown show on Friday for the Making Time $2 Bill at Voyeur. We’re exploring the album this week on Unlocked, The Key’s regular spotlight on new and significant releases by Philadelphia-based artists, and today we have an interview with band leader Jon Barthmus. He and I sat down after Sun Airway played XPN’s Free at Noon concert a few weeks back and dug deep into the band’s creative palette, from collaging five full orchestras to finding the right photographs to accompany its sound.
The Key: So firstly – congrats on Soft Fall! It’s a really bold record, it has a confidence and groove to it that sets it apart from from Nocturne of Exploded Crystal Chandelier. Did you feel more confident making it?
Jon Barthmus: I definitely did. The first record was done with like no money whatsoever —really cheap microphones and very little gear, and I was learning those programs that I was using as I was going along. There was such fundamental things that I just didn’t know, like really simple things to do in programs that when I learned them I was like “Oh my God, how did I not know this? How did I make a whole record without knowing this?”
TK: “There’s this keyboard shortcut that could have just saved me hours…”
JB: Yeah, or even stuff like, “I guess you can’t do this, I guess I can’t crossfade anything.”But of course you can, and I just didn’t know! And I wasn’t really learning other than just doing stuff and trying to figure it out as I went along. So this time I got to buy better mics and got to take my time with it, actually got to do a couple days in legit studios, and had more people’s hands on it. They know what they’re doing better than I do, so that was definitely really helpful. Continue reading





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