By

The Key Studio Sessions: Wallace

Lancaster’s Wallace Gerdy first showed up on the Philadelphia scene as the lead shredder in basement show regulars Mattress Food. Then, back in January of this year, she ventured out on her own with a short set of demos that were heavily informed by her love of classic rock. The instantly likeable “Sunny Monday” (with its undeniable debt to “Sweet Jane” by The Velvet Underground) caught my ear during the December edition of Items Tagged Philadelphia, I checked out the project’s full band debut at Ortlieb’s, and Wallace — as it’s eponymously called — was officially on The Key’s radar. Continue reading →

By

Watch Wallace try to keep her cool in the band’s latest video

Wallace
Wallace | photo by Katy Mauer | courtesy of the artist

A classic coming of age song, frontwoman Wallace Gerdy finds herself disapproving her best friend’s choices on her most recent single, “Keeping Composure” by Wallace. The track was released last month, and earlier this month the single received the music video treatment, animating the lyrical content of Wallace’s displeasure of her friend’s choices at parties, or maybe just in general. A song birthed by change, Wallace sings “It’s hard to keep composure when your best friends are getting high in the next room.” Continue reading →

By

Rock out to Wallace’s debut studio recording, “Sunny Monday”

Wallace | photo courtesy of the artist

Earlier this winter, in the midst of a show at Ortlieb’s, I found myself describing Philly rocker Wallace to a friend via text message as “kind of like Sheer Mag without the radical politics and if Tina and Kyle were one person.”

What did I mean by that? Well, firstly, the band — really the artist, a nom de stage of Wallace Gerdy, lead guitarist of Philly’s Mattress Food — is also a rock band in the most classic sense: tasty 70s / 80s riffs, speedy rhythms, wry delivery and hooks hooks hooks. Second, it’s not to say that Gerdy does not care about society and the world around her, but society is not necessarily what her songs are about; they take a very personal outlook, there’s no revolutionary call-to-arms like Sheer Mag’s “Meet Me In The Street,” and there’s not necessarily anything wrong with that. Last: in Sheer Mag, Tina Halladay fills the role of charismatic frontperson with the gripping, gravelly voice while Kyle Seely is the lead shredder, establishing the band’s guitar identity; Gerdy, however, does both, often simultaneously. Continue reading →