In between a crazy months-long tour that took Waxahatchee across the US and Europe this year, and with a fall tour that kicks off in just a few weeks, Katie Crutchfield found time to record a cover of The Velvet Underground’s “After Hours.” Crutchfield is joined by singer-songwriter Kevin Morby on the recording; the duo toured together last spring.
“After Hours” appeared on The Velvet Underground’s 1969 self-titled album. Crutchfield posted the home-recorded cover on her Tumblr, and tweeted, “the world is a dark place. here’s a cover of ‘after hours’.” Listen here. The Waxahatchee bandleader’s familiar voice takes center stage on the stripped-down version, and Morby chimes in to sing a verse. Continue reading →
Waxahatchee released their fourth full length album Out in the Storm on July 14th (when the band also celebrated the release with a Free at Noon show and opened her tour with a hometown show at Union Transfer), and in the short time since, frontwoman Katie Crutchfield has received endless deserved praise and critical acclaim both of the record and her live interpretations of the powerful tracks. Continue reading →
This week’s Indie Rock Hit Parade will be the last one for a little bit, but believe me I have a very good excuse. Listen at 11pm ET on XPN (right after a week-early edition of Land of the Lost with Robert Drake) for a full two-hour show that’ll hopefully tide you over until our post-XPNFest return. In the spirit of next weekend’s bonanza, we’ll hear from a few IRHP favorites who’ll be joining us at the festival, like Sweet Spirit, Strand of Oaks and Hop Along. We’ll also sample new releases from bands who won’t be at the festival (not this year, anyway). Listen for new singles from Providence political punks Downtown Boys, NYC’s preeminent ‘door girl’ Shilpa Ray, and a roadtrip-ready track from Oklahoma’s Broncho. Preview some of those new tracks below…
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On Friday night, after an immense storm descended upon Philadelphia, a tour for the ages opened up on Spring Garden street.
Waxahatchee sent their fourth album, Out In The Storm, out into the world, and, both live and on the record, itʼs very simply Katie Crutchfield at her best. Earlier in the day, she played a short set at XPN’s Free at Noon concert, and both performances were raw, and emotive, pulling us deep into her own experiences and machinations, ones that many of us can relate amply to.
Songs like “Recite Remorse,” the live setʼs opener, and “Sparks Fly,” a deeper cut on the record, beg to be sang angrily in the car with the windows down, and before too long, theyʼll be sung back at Crutchfield at live shows too. Continue reading →
The relentless summer rain was no deterrent for the crowd that turned up en masse at World Cafe this afternoon, and for good reason: today is all about Katie Crutchfield’s Waxahatchee. Her excellent fourth record Out in the Storm dropped today on Merge Records, the full band performed for WXPN’s Free At Noon, frontwoman Katie Crutchfield will be a guest DJ on John Vettese’s show What’s the Frequency at 7 p.m., and the day caps off when Waxahatchee plays a hometown show at Union Transfer with Cayetana and Snail Mail to begin an extensive US tour.
Fifteen minutes before Free At Noon began, the front row of the World Cafe stage was already claimed and the rest of the crowd was slowly trickling in, shaking off umbrellas and grabbing a drink. Five minutes before, the floor was packed and the anticipation palpable when Waxahatchee made their entrance (featuring #ladysuits) to begin a set that showcased entirely new tracks.
Opening with my personal favorite from the new album, the burning “Recite Remorse,” Crutchfield’s voice echoed around World Cafe to create an ethereal, chills-inducing sound that built to an anthemic conclusion. The catharsis found in the lyrics was tangible, finding release and relief for singer and audience alike. Continue reading →
A jam-packed Indie Rock Hit Parade is coming your way tonight, and there’s no way to stop it! Listen at 11pm ET on XPN (that’s right after What’s The Frequency??? with John Vettese, ya know?) for a full two-hour show that features not one, not two, but THREE spotlights on new releases from three very different bands out of Philly. We’ll hear from Sheer Mag‘s incendiary debut, Need To Feel Your Love, the dreamy sophomore album from Japanese Breakfast, Soft Sounds From Another Planet, and (of course) the latest from Katie Crutchfield’s Waxahatchee, Out In The Storm. Also in the mix, you’ll hear new tracks from Speedy Ortiz, Cults and Parquet Courts singer A. Savage! Preview some of those below…
If you’re like me and you like to know every song on a concert setlist before a show (it makes jamming along easier, okay?), Friday just got a little better. Ahead of the June 14th release date of Waxahatchee‘s highly anticipated fourth album on Merge Records, Out in the Storm is available to stream in full right now on NPR Music’s First Listen series. Continue reading →
It’s time to take a break from whatever you may be doing on this grey Tuesday (shout out to Spring on the East Coast) because Waxahatchee has a new single. “Never Been Wrong” joins the singles “Silver” and “No Curse” to kick off the countdown to Katie Crutchfield’s fourth album as Waxahatchee, titled Out in the Storm and set for a July 14th release on Merge. The album is a deep dive into the ending and the aftermath of a relationship that Crutchfield decisively reclaims for her own catharsis.
“Never Been Wrong” is sharp and smart without being bitter, personal and painful yet relatable. Crutchfield was somehow able to take these elements and turn them into an absolutely rocking jam that you can equally as well dance to on repeat with the volume turned all the way up or add to your own variation of a introspective playlist. Continue reading →
Katie (Waxahatchee) and Allison Crutchfield paired up for a jam session at last weekend’s Vulture Festival, and video has surfaced of one of the jams going beyond the sister’s discography. The duo covered Sleater-Kinney’s “Modern Girl,” off the 2005 album The Woods. The only thing not perfect about this all of this that the video cuts off before we get a chance to witness the entire song. Continue reading →