Scrantonites Tigers Jaw are freaking back, and man are they better than ever. The duo announced their fifth full-length spin, due out on May 13th through producer Will Yip’s new Atlantic Records imprint Black Cement Records. The announcement also came with a behind-the-scenes music video for the record’s first single “Guardian” and plans for a full US tour set to hit Union Transfer on June 23rd.
Dean Tartaglia and Will Yip both agree: the song that kicked their collaboration into overdrive was “Stars.”
The singer-guitarist of Toledo punk outfit Secret Space was in Conshohocken’s Studio 4 with Yip for a recording stint; late one night, long after work for the day had wrapped, Tartaglia shot Yip a voice memo from his phone.
“It was just the chorus,” Yip remembers. “And I knew. ‘We have to record this tomorrow.'” Continue reading →
“Lauryn Hill is more punk than anyone I know, she doesn’t give a fuck more than anyone I know.”
Will Yip made this statement many of us have probably thought. But Will Yip, unlike us, knows it is true because Will Yip knows Lauryn Hill and we do not. When he was 22, and working alongside Grammy Award-winning producer Phil Nicolo, he helped Hill find a house in New Jersey to build a studio in, and then he helped her build the studio in that house, and then he helped her record in it. He toured the world with her, too. He played drums in her band — this college kid played Fugees songs onstage with Hill. So if anyone knows Hill’s true punk rock status, it is Will Yip. Continue reading →
Yip has produced albums for numerous Pennsylvania bands, including Circa Survive, Title Fight, Tigers Jaw, Balance and Composure, Nothing, and Superheaven. He works out of Studio 4, a legendary area recording space run by Phil Nicolo. The article explores his work with some of these bands in-depth, observing their genre-bending tendencies that draw heavily from music of the latter 20th century. It also touches on the fact that Yip’s bands have reached younger generations that are constantly told underground music scenes are “dead”. Continue reading →
After promising us big news late last night with an Instagram of frontman Nicky Palermo buried in guitars and cables, the word about Philly noisemakers Nothing is out. The band will release its second album on Collect Records – the boutique label curated by Geoff Rickly of Thursday and home of Creepoid’s awesome new Cemetery Highrise Slum– and is currently recording with Will Yip at Studio 4, Noisey reports. In a Q&A, Palermo told editor-in-chief Fred Passero about his studio process and the plans for the record. Continue reading →
The album will be officially released next week on June 30th via Will Yip’s new label, Memory Music. The album is a live recording of an intimate Tigers Jaw performance held at Studio 4 a year and a half ago. At that show, Ben Walsh and Brianna Collins debuted acoustic versions of Tigers Jaw favorites, a few Title Fight covers, and some rarities. Continue reading →
It’s been a little over two years since three founding members of Tigers Jaw departed. But the remaining dynamic duo of Brianna Collins and Ben Walsh has soldiered on, touring extensively to support their 2014 record Charmer. There was a point when Walsh, guitarist and vocalist, and Collins, keyboardist and vocalist, weren’t sure about the future of the Scranton indie / emo outfit. But they’ve regained serious momentum, especially with news of a new release set for late June.
The release is a live collaborative acoustic album, Tigers Jaw Acoustic: Live at Studio 4. It was recorded and produced by Will Yip, who has made quite a name for himself in recent years producing luminaries of the pop-punk world like Circa Survive, Title Fight, Superheaven and the The Wonder Years.
“I’ve always wanted to do it, just because the room’s so cool to have a sit-down show in,” Yip says. “And at that point, it was to help generate some press and awareness of what was going on at Studio 4.” Continue reading →
Support for The Key Studio Sessions, from Dogfish Head
Scranton pop punk duo Tigers Jaw just announced the release of a new album titled Live at Studio 4 via Memory Music, a new boutique label curated by Conshohocken producer Will Yip of Studio 4. Brianna Collins and Ben Walsh of the band, along with Yip, will be on the WXPN Philly Local Show tonight to discuss the release, the label and their plans for the year – which includes an acoustic show at the First Unitarain Church on Thursday, June 25th (tickets and more information can be found here). Tune in to the show tonight at 5 p.m. on 88.5 FM in Philadelphia or stream it at XPN.org if you’re outside of Philadelphia. Below, check out a version of “Teenage Rocket” from Live at Studio 4. Continue reading →
Doylestown rock outfit Balance and Composure recently released a half hour documentary on the making of The Things We Think We’re Missing. Featuring interviews with all the band members and Studio 4‘s Will Yip, the video takes you through every aspect of the album creation process. From writing the songs in a remote Pennsylvania cabin to recording them in Conshohocken, Balance and Composure fills us in on how the album was formed alongside their goofing around. According to the doc, guitarist Andrew Slaymaker almost lost his mind, and Bailey Van Ellis couldn’t stand drumming in the morning, but the result was more than worth it. Check out the documentary below, and keep an eye out for an upcoming Doylestown area show. Pick up The Things We Think We’re Missing via No Sleep Records here or stream it below.
La Dispute recently announced their next full length album, Rooms of the House due out March 18th via Better Living. Sure to be another heavy dose of experimental hardcore story telling, we should be expecting something that will “blow people’s minds away,” at least according to album producer Will Yip who posted a picture with La Dispute to Instagram the other day. A
After the countless hit albums Will Yip has produced at Studio 4 over the last year (The Wonder Years’ The Greatest Generation, Balance and Composure’s The Things We Think We’re Missing and Anthony Green’s Young Legs to name a few), it speaks volumes when he says “(this album is) unlike anything I’ve ever done.” Get caught up on La Dispute’s signature style of experimental hardcore with their 2011 release Wildlife below.