Such a special weekend calls for a super special Indie Rock Hit Parade, wouldn’t you agree? Tune in at 11pm (or better yet, stay tuned after Land of the Lost with Robert Drake) for a full two-hour show that’s nothing but nothing but ALBUM SPOTLIGHTS! We’ll hear three songs in a row from a variety of newly released records, including Kurt Vile‘s b’lieve i’m goin’ down, The Front Bottoms‘ Back On Top and Youth Lagoon‘s Savage Hills Ballroom! Here’s a sampling of what else you might hear tonight:
Late last month, legendary indie-rockers Yo La Tengo stopped by World Café Live for a hushed and brilliant Free at Noon. The band played tracks off their new album, Stuff Life That There, an album made up of both unreleased Yo La Tengo originals and some awesomely morphed covers. For those who missed it, our friends at VuHaus got some awesome footage of the show which you can watch below. Continue reading →
Today is record release day for Yo La Tengo’s new collection of covers and re-workings, Stuff Like That There, and the Hoboken indie rock heroes celebrated with a performance in front of a sold-out Free at Noon crowd. The album explores the decidedly mellowest side of YLT’s sonic palette, but the crowd was hushed and attentive, nodding along to the doo-wop flavored cover of The Cosmic Rays’ “Somebody In Love” that opened the show, and singing along to Georgia Hubley’s wistful, breezy version of “Friday I’m In Love” by The Cure. Continue reading →
Tonight’s Indie Rock Hit Parade is stacked, top to bottom, with special things you simply cannot miss. I just won’t allow it. Tune in starting at 11pm tonight (or better yet, stay tuned after Land of The Lost with Robert Drake) for a full two-hour show that will feature: A brand new, live in-studio session with the Buffalo, NY “pop cult” Hussalonia. Their music has been heard on Welcome To Night Vale and they just released their fifth album of 2015 alone! We’ll hear new songs and old ones in a stripped-down set. We’ll also dig into Stuff Like That There, the new album from Hoboken’s finest, Yo La Tengo. Plus a few of these tracks in case that all wasn’t enough (has anyone ever told you that you’re kinda hard to please):
In 1990, Yo La Tengo released their acclaimed Fakebook, a collection of mostly cover songs. The band is revisiting the concept of Fakebook on their new album, Stuff Like That There, coming out on August 28th via Matador Records. Yo La Tengo will also be touring with a stop at the Keswick Theatre on Thursday, September 24th. Continue reading →
Purling Hiss head down to Delaware’s Arden Gild Hall tonight with Thunderhawk and St James & The Apostles. The local rockers released Weirdon earlier this year, their second effort for Drag City. Hiss frontman Mike Polizze spoke with The Key last week in the inaugural “Gearadelphia” feature, discussing his live gear set-up, his ambitious dream studio and the times when things go wrong on stage. Read the full interview here and pick up tickets for tonight’s show here. Continue reading →
Lifetime fans of Hoboken indie rock group Yo La Tengo can celebrate 30 years of music with the band at their upcoming anniversary show at The Troc. Three decades have passed since Ira Kaplan, Georgia Hubley, and James McNew teamed together in 1984 consistently delivering unconventional and boundary-pushing rock tunes. Continue reading →
For 15 years now, NYC and San Francisco-based director Sam Green has been making documentary films, enlightening audiences about domestic radicals, exile, language, and more. For his latest project, The Love Song of R. Buckminster Fuller, he explores the life and work of Buckminster Fuller, with a little help from indie rock vets Yo La Tengo, who accompany his live narration with an original score.
Since debuting in 2012, the project has hit 10 cities, and will journey to Philly’s FringeArts this Friday. In advance of the show, I rang up Green and YLT’s Ira Kaplan—to talk songwriting, ephemera, and why Buckminster Fuller.
“His philosophy is in the air these days,” says Green, with a laugh, of Fuller. “He was pretty obscure for a while, but he’s back, as they say.” A mid-twentieth century philosopher who advocated sustainability, efficiency, and using design to solve real-world problems, Fuller is perhaps best known for inventing the geodesic dome, although his contributions to math, science, and urban studies are varied and great.
“He was a Batman character, a larger-than-life character, a very rich persona,” continues Green. “He was wildly optimistic, and a visionary. I put myself in that group as well.”
Green first encountered Fuller’s ideas while working on a project for the San Francisco Museum of Modern Art—“they were running an exhibit about Fuller, and asked me to do a documentary,” he says. As he dug deeper into Fuller’s life, he became intrigued.
Green’s previous work, Utopia in Four Movements (a multi-episode oeuvre tackling China’s largest shopping mall, the rise of Esperanto, and more), used a live documentary format, in which Green narrated video clips and was accompanied by a live band. He decided to use the same format for Fuller.
“I was thinking: who would I love to do music for this? Who has the right sound?” He continues. “I’ve been a big Yo La Tengo fan for many years, and I had seen them do a similar show, where they played live music to movies, once before. So I got in touch with them, and they were up for it.”
“Sam came very highly recommended,” says Kaplan with a laugh, who was introduced to Green through a mutual friend. “I wasn’t too familiar with Fuller’s philosophies beforehand, but it’s far from required that you know about him to enjoy the show. This is not a dry academic performance.”
Renowned local arts organization FringeArts just announced an exciting addition to its Spring calendar: the “live-documentary” The Love Song of R. BuckminsterFuller, which will be performed at its Waterfront stage,with narration from Oscar-nominated director Sam Green and a score performed by indie rock legends Yo La Tengo.
The film follows the career of the 20th century designer and architect (and inventor of the geodisic dome) from whom the title borrows its name, and uses his story to explore issues of sustainability and conservation. Fuller himself lived in Philadelphia from 1972 until his death in 1983.
Diverting from the more traditional approach to documentary, director Sam Green will narrate each “screening” of R. Buckminster in person while cuing images and video from a laptop, with ever-eclectic indie rock royalty Yo La Tengo providing a live score to the proceedings (watch a 15-second clip of a 2013 performance here).
FringeArts will host two showings on Friday, April 4 at 7 and 9 p.m.; tickets for the general public go on sale March 1, more information can be found here. Watch the video for Yo La Tengo’s “I’ll be Around” off of the 2013 album Fade below.
It’s hard to describe a Belle & Sebastian show without first describing—or attempting to describe—what exactly Belle & Sebastian mean to us. What makes Belle & Sebastian so special?
There are plenty of reasons to like a band. They might write catchy melodies, or great lyrics, or boast a really great stage show. None of these are the reason we love Belle & Sebastian, although all of these are certainly true about Belle & Sebastian. No, our love for Belle & Sebastian goes deeper. It’s the way they just seem to get us—the smart, the quirky, the maybe a little dorky, the cynical, the wandering, the artists. It’s the way they seem to effortlessly capture every emotion we’ve ever felt, from gleeful zest to detached nostalgia, while still providing something we can nod along to. They’ve been there for us since we were much younger, and as time has passed and other bands have faded to obscurity, they’ve grown with us, moving from tunes about awkward adolescence and life in the suburbs to the ennui of the workweek and the slow acceptance of always being broke. And last night at the Mann Center, they proved they’ll be sticking around quite a bit longer.
The first thing you notice when Belle & Sebastian take the stage is: there’s a lot of them. Continue reading →