The Key’s special feature Unlocked made a return this week with locals Young Statues and their new record The Flatlands are Your Friend. You can get the full scoop on the Jersey natives’ record with an full interview, review and the premiere of an in-studio documentary here. Download “Got the Knife” for free here, courtesy of Run For Cover Records.
For the final installment of Young Statues’ Unlocked spotlight, frontman Carmen Cirignano shares some of his favorite places in Athens, Georgia where the band recorded its new album, The Flatlands Are Your Friend. He also describes why and how his favorite spots remind him of home in Philly.
I spent six weeks away from Philadelphia recording this record. Luckily I got to do it in a place that is now starting to feel like a second home: Athens, Georgia.
Athens, like Philadelphia, is an amazing city with a rich cultural history. Naturally, there were a lot of similarities. Here are a few of my favorite places that reminded me of home while in Athens. Continue reading →
Carmen Cirignano hopes putting on his band’s new record can provide a very certain kind of feeling.
He relates it to taking a trip to his grandmother’s house. Whenever he visited her, he’d feel a certain way and have very distinct memories. It’s an idea of being somewhere familiar that’s not exactly home.
“I wanted a cohesive, kind of flowing record that made sense from the beginning to the end and felt like a tangible thing, in a way,” Cirignano says. “I wanted people, when they listened to it or put it on, to be able to go somewhere, go to a place, wherever that place is to whoever listens to it. It could be different for everybody. I wanted it to have that feeling, like it was something as a whole rather than just a collection of songs.”
Cirignano, frontman for Young Statues, is sitting at an outside table at Old City’s Ole Café, having just driven downtown from his home in Prospect Park. He’s joined by bassist Tom Ryan, who has just driven in from across the bridge in New Jersey. They’re both joined by Ryan’s sister’s small dog, who remains mostly quiet as the two discuss the past and present history of the band. Continue reading →
To the non-musician, the process a band goes through to make an album may not seem like hard work.
Those unfamiliar recording may think that the songs are always fully realized before the band enters the studio — that musicians can just go in, nail their various parts in a few takes, then move onto the next song. It seems like making an album should come easily and naturally.
But talk to any musician about recording for more than a few minutes, and you’ll know this isn’t the case in the least bit. You’ll hear stories about spending a whole day recording one guitar solo or drum fill, or singers scribbling down lyrics just minutes before the song they’re writing is to be recorded.
Making music isn’t easy. That’s why Young Statues knew that, to record their sophomore LP The Flatlands Are Your Friends, they wanted to travel somewhere to both limit distractions and feel more inspired. So the band spent three weeks recording in Athens, Georgia at Chase Park Transduction Studios, where frontman Carmen Cirignano had also retreated to years prior and wrote Young Statues’ debut album. Continue reading →
It’s almost fitting that the release date of Young Statues’ sophomore LP, The Flatlands Are Your Friend, would fall around Halloween.
Whereas the South Jersey-based band’s self-titled debut could be categorized as indie pop, and its 2013 EP Age Isn’t Ours bordered on pop punk, Flatlands is something total different — an eerily haunting, rock-driven release.
We’re obviously not talking “Monster Mash” here. It’s edgy and emotional in the vein of “Gimme Shelter,” and a far cry from anything the band has ever done in the past.
Young Statues has always stuck out because they’ve never really fit in where they were. Punk and hardcore bands dominate the band’s label, Run For Cover Records. This has informed the tours Young Statues been on and the fan base they have developed. But you’d be mistaken to lump them in with many of their label mates or this “emo revival” everyone keeps talking about. Continue reading →
Young Statues’ 2011 self-titled debut album wasn’t exactly unintentional, but it was somewhat unplanned.
The South-Jersey based indie rock band was born from the collection of songs written by frontman Carmen Cirignano on a prolonged trip to Athens, Georgia. He had just left another band behind and was encouraged by people there and then upon returning home to turn what he thought would be solo material into a new project.
That collection of catchy, intricate indie pop tunes won over fans for a reason. Continue reading →
This week Philadelphia (via South Jersey) indie rockers Young Statues released a song off their upcoming sophomore LP, The Flatlands Are Your Friend, which follows their last EP Age Isn’t Ours released last year. “Run The River Dry” gives listeners a promising glimpse of what their new album might entail, jump-starting with heavy, hollow synths and quickly picking up with snippy drums and wandering, echoed guitar tones. Continue reading →
The Early November embarked on a three-week intimate acoustic tour this summer and are closing out the tour in Philly with two nights at World Cafe Live. It’s a sort of a homecoming for the Hammonton, NJ pop punk icons, and frontman Ace Enders and his bandmates got an incredibly warm reception from the sold-out crowd at last night’s kick off show. In return they played a set that was career-spanning and memorable.
Last night’s show began at 8:00 sharp with a solo performance by Young Statues frontman Carmen Cirignano. He played a few old songs as well as new songs off of a record that will be released this fall. Continue reading →
The holidays are a time each year where bands put on special shows in their hometowns, thanking the fans that over time brought them the success they currently have. Local punk heroes Man Overboard, in collaboration with their record label Lost Tape Collective, have taken their annual holiday show and turned it into one of the biggest pop-punk gatherings to hit Philadelphia each year. Bringing together newcomers and some of the biggest names in the scene it is no surprise that this show has been growing exponentially since it started in 2011.
The show kicked off with the totally not pop punk band Fight Amputation. This aggressive New Jersey hardcore band may have seemed like an unlikely pick for the opening spot of this lineup, but put on a solid performance that got even the poppiest of punk fans headbanging along. South Jersey boys Young Statues hit the stage next. In stark contrast to Fight Amps, Young Statues brought a melodic sound to the stage, getting fans swaying and singing.
The TLA had removed their normal barrier from in front of the stage, meaning fans could stage dive and crowd surf to their heart’s content. Hometown heroes and personal favorite of us over at The Key, Modern Baseball, was the third to play. Before the band even hit the stage, the crowd had already pushed forward in anticipation. As I listened to audience members gossip about how great their new single is and how cute __________ (insert band members’ name here) is, I could tell this wasn’t going to be any ordinary set for the boys. Continue reading →
Truly a Philadelphia production, the album was produced by Modern Baseball’s own Ian Farmer and Jake Ewald, mixed by Philadelphia’s Jon Low, and mastered by Will Yip at Studio 4. Listen to “Your Graduation,” the first single off the album, below. Like most Modern Baseball material, it is instantly catchy and has a great chorus. Unlike Sports, however, the song is less polished, adding a sense of grittiness that and even a bit of yelling. Keep an eye out for the album, and catch up on Sports belowwhile you wait for the new record.