I am not a New Kids On The Block fan.I am also not a New Kids On The Block hater.I grew up in the ’80s and ’90s, and adopted the persona wholeheartedly.I watched Saved By The Bell, had a slap bracelet, and saw Cool As Ice in theaters (if you’ve never heard of that, Google it and come back to berate me in the comments).NKOTB was something that permeated the era, so I knew their songs, I saw their videos, and yes, I memorized some lyrics.I watched the videos on MTV, and along with Paula Abdul and Boyz II Men among many others, would record the video shows on VHS to watch over and over. Continue reading →
On Saturday afternoon, June 24th, 2017, the city of Philadelphia officially renamed the stretch of Broad Street between Christian and Carpenter as Boyz II Men BLVD. The R&B crooners have had a long and storied career that began in the city almost 3 decades ago. The fitting tribute took place on the steps of the Philadelphia High School of Creative and Performing Arts. Continue reading →
Icelandic post rock band Sigur Ros brought its summer tour to the Mann Center for the Performing Arts last night. Celebrating its 20th anniversary, the band performed two career-spanning sets as a trio, mixed with their trademark visual spectacle. Check out a gallery of photos from the show care of our Matthew Shaver. Continue reading →
Though I was only a preteen, I have vivid memories of the late 80s/early 90s in the US, and what was happening in music as far MTV and pop radio were telling me. What I didn’t, and really couldn’t, realize was the impact that two seemingly unrelated music cultures were having across the pond. Dance music bounced back from the demise of disco, and acid House was fueling clubs and raves across Britain. Unexpectedly, American hip-hop was also playing a large role in the same scenes, as kids soaked in the phenomena, DJs across the UK became superstars, and began building their own arsenal of music that combined multiple genres.
Two of these DJs even payed homage in name, borrowing from the production duo that helmed the seminal Beastie Boys album, Paul’s Boutique until they were forced to Exit Planet Dust. For their follow up, Dig Your Own Hole, The Chemical Brothers — Tom Rowlands and Ed Simons — made a statement that would continue the transformation of the techno landscape forever in the spring of 1997. As the guitar loops kicked in, it was actually Philadelphia rapper Schoolly D that ushered in this new era with a sample form his “Gucci Again” and let us know they were “Back with another of those block rockin’ beats!”
What followed was a grandiose tour through psychedelic breakbeats that featured stops from Noel Gallagher (a huge accomplishment for a techno act in that day), and continued Beth Orton’s drive to forge her own genre that would be lovingly referred to as “folktronica.” Interweaved in to all of it were heavily acidic bass lines, funky guitars, and hip-hop samples. It solidified them as leaders of the sound defined as Big Beat. Continue reading →
Indie pop-rock darlings Eisley have a new album out called I’m Only Dreaming. Singer/songwriter Sherri Dupree took time out of her hectic schedule to talk to The Key about the current tour, working with family, and some of the changes in the lineup. They headline tonight at The Foundry of The Fillmore Philadelphia; tickets and more information on the show can be found at the XPN Concert Calendar. Continue reading →
Year-End Mania is the Key’s annual survey of the things below the surface that made 2016 incredible. Today, Key contributor and new dad Matthew Shaver wonders how he’s going to one day explain this year to his infant daughter.
In September, my daughter was born, I know you all were wondering where I’ve been. As a gift (for when she is older) I created a 24 hour playlist of songs that I’ve liked throught my life, up to the point she was born. I’m proud of it, i think she’ll hate most of it by the time she is old enough to listen (a lot of it is not for young ears). But then my editor, John Vettese, made a light hearted comment that made me think long and hard. He wrote: “I love that you, as a parent, are putting ‘Norf Norf’ on a playlist for your child.”
Summertime ’06 was an album I listened to a lot in 2015, placed among my favorites, but it did make me think. 2016 was not kind to women, in the news, and in society. I have to explain to her at some point that we elected a man in to office that said it was ok to grab women by the pussy. Hip-hop is the result of many facets of society that are not so kind to people of color. I can explain that to my daughter when she’s older, and I’m certain she’ll understand, but I’d still have to explain that I “liked” a song that has the line “Where the ladies at, where the ho’s, where the bitches, every real ni**a knows the difference.”
So, I was going through my head thinking of lists that I could write instead. There have been a lot of positive people in Philly, a lot of positive women throughout the world I could name, but then I thought, that 18 years from now, will that list have as much weight as I hope. Maybe, but I don’t like to gamble, so instead, here are 7 songs I danced to with my baby from 2016, songs I wouldn’t be worried about telling her about when that time comes. Continue reading →
Piebald was cast in a very special hardcore mold, one that bore the holy trinity of Boston bands (the others being Converge and Cave In).While their peers stayed steeped in the rough and rugged, Piebald veered off on to their own to create some of the most fun alternative rock ever made.An important distinction between them and a lot of other alt-rock bands from the era.Even when the songs are a bummer, they are unabashedly fun. Continue reading →
I wanted to share with you my story of what your father means to me. I never met the man, and due to the roads life takes us down, I didn’t listen to any of his early work until much later than I should have. I am a fan of Further Seems Forever, and have been since the beginning. By the time their third album came around, I wasn’t expecting much. They had two fantastic releases, but how often can a band like that cycle through vocalists before the turmoil that seemingly causes catches up, right? The first time I put Hide Nothing in my CD player, I don’t think it stopped for a full 24 hours. Continue reading →
When Australia’s Boy & Bear hit the stage at Underground Arts on Friday night, the fanfare was enormous. The raucous hurrahs were so loud at one point, David Hosking actually had to hush the crowd so he could get a few words in edgewise. So, imagine my surprise when I forfeit my spot at the front of the stage to wander back and get some wide shots of the show. It was little more than half full, which was a bit of a shock, and a bit more of a disappointment. Mostly because Boy & Bear are really, really, really, good. Like… really.