By

Growing Up Folk: Michael Braunfeld on the road from Spring Gulch to Driver

Michael Braunfeld | photo courtesy of the artist

This weekend, Spring Gulch Folk Festival enters its 33rd year of kicking off the summer festival season for the singer-songwriter community, and one artist in particular is taking the stage in a sort of homecoming.

Tomorrow, Michael Braunfeld will perform Spring Gulch with his band The Boneyard Hounds. He’s intimately involved in the event — his family has been going for three decades, his father Andy is a former MC, and he and his dad have been booking and managing the event for the past 18 years.

Braunfeld, 44, made his live debut at the festival in 1990 at age 15, and recorded his debut album the following year at age 16. He spent the 90s and very early thousands as a touring artist in the folk circuit, releasing live albums and paying gigs around the country. After taking a decade-plus break, he re-emerged on the scene at the 50th annual Philadelphia Folk Festival (another event he grew up at) and this year released his first studio album since the 90s, Driver. It’s a stirring selection of contemplative roots and Americana songwriting, some of a more of a delicate John Prine style of observational folk, some (like the powerful “Washed Away” and the rousing “Breathe”) of anthemic, Springsteen-esque quality.

We caught up with Braunfeld over the phone to talk about growing up a folkie, running Spring Gulch, taking time off, and the statements he wanted to make upon his return.  Continue reading →

By

Two to Tango: Rodrigo y Gabriela’s Rodrigo Sánchez and Gabriela Quintero

Rodrigo Y Gabriela | photo by Ebru Yildiz | courtesy of the artist

By this point in their long career as Mexico City’s primary musical export — nearly 20 years of a guitar-based fusion of flamenco, folk, doom metal and jazz — Rodrigo y Gabriela’s lives and sounds are thoroughly intertwined. Especially when you consider that Rodrigo Sánchez and Gabriela Quintero have been friends since their teens, long before forming their duo (though certainly practicing together, collaborating and admiring each other’s skillsets).

Their just-released album, Mettavolution, is as dramatic as any in their catalogue and their upcoming shows in Philly – at World Café Live’s NonComm and Franklin Music Hall, both May 17 – will show just how far their friendship has taken them. Our Two to Tango helped take them back to their youth, as well as peer into their future – all with a lot of laughter. Continue reading →

By

Meet Jacqueline Constance: The dope songbird from Philly

Jacqueline Constance | photo by Deuce Pearsall | courtesy of artist

The city of Philadelphia is filled with so many musical talents that can simply be described as dope. It’s amazing to watch these artists of different genres find creative was to capture the struggle of their beloved, edgy, blue-collar city with music. Take for instance soul singer Jacqueline Constance,  a Mt. Airy songbird who has been making a name for herself in the City of Brotherly with her voice for the past seven years.

Trained in classical music during her time time at CAPA, Jacqueline Constance used those vocal skills to create soul music and with her debut album The Jacqueline Constance Show. In the time since, with the assistance of her looper, and other bits of electronic music technology, the soulful songstress found a way to expand her sound and keep her name known in the local music scene of her city. Recently we were able to sit down with Jacqueline and talk about her beginnings as a singer, how she got into looping and the moves she has planned for the future. Continue reading →

By

The High Key Portrait Series: Sofia Verbilla of Harmony Woods

Sofia Verbilla of Harmony Woods | photo by Josh Pelta Heller for WXPN

Candid and genuine, Harmony Woods’ singer and songwriter Sofia Verbilla will openly cop to how much time she’s spent reflecting on her own talents, impugning her own songwriting skills, wondering if she’s got what it takes to overcome at turns significant self-doubt and claim confidence in her own creations.

It’s a tenuous tightrope she seems to have found some familiar comfort in walking, as the Philly rocker capably straddles the stark contrasts of both her self-effacing and introspective and hot-pink-haired ass-kicking-frontwoman personas, at once conflicting and complementary, while she negotiates an earned place for herself and the HamWoo crew to stand out among Philly’s basement DIY rock-and-rollers.

They’ll be back onstage in Philly on May 30th, opening for Slingshot Dakota at Everybody Hits. Continue reading →

By

Ahmet Zappa on Frank and fatherhood

Frank Zappa and Pink Floyd | still from video
Frank Zappa | still from video

What could have been a convivial conversation about re-packaged reissues such as the recently-released Zappa in New York and the minutiae of hologram tours such as the upcoming Bizarre World of Frank Zappa live showcase (May 2, Collingswood’s Scottish Rite Auditorium), wasn’t. That’s because it was Frank’s youngest son and estate conservator Ahmet Zappa and I discussing invention (beyond the Mothers), probability, fatherhood and loss (Zappa’s dad died in 1993, I lost my father at Halloween 2018) in a conversation that wound up with tears and the promise of hugging out such emotion at this week’s concert. Continue reading →

By

Todd Rundgren spills his guts, tiny chapter by tiny chapter, in The Individualist

Todd Rundgren | photo by Lynn Goldsmith | via Relix

Todd Rundgren has made and maintained a career– to say nothing of a long-devoted fan base, no-matter what — based on shock and awe. Whether it is his wont for moving quickly through musical genres (when harmony-drenched blue eyed soul smash singles would have sufficed), or pushing political and religious stances, the Upper Darby-born Rundgren’s principle element is surprise (and fear, ruthless efficiency, and an almost fanatical …).

Writing and releasing an autobiographical book, The Individualist: Digressions, Dreams & Dissertations, is yet another revelation as Rundgren has been fairly tight-lipped about his personal life, until now. If you expect gossip, stay clear. If you’re looking for frank, adventurous self-centric writing in bites sized doses, welcome.

To go with a new book, Rundgren is doing double-duty in each city he visits, with portions of his show dedicated to live music, and other portions dedicated to reading from The Individualist, a page related A/V show, and a Q&A segment. Rundgren appears at The Fillmore, May 1 and 2. Continue reading →

By

Ahead Of Their Time: The 40-year journey of inspiring Detroit rockers Death

Death | photo by Samdarko Eltosam | via facebook.com/deathworldwide

As an Afropunk, interviewing an all-Black punk band called Death might be the most existential thing I could possibly do on a Tuesday afternoon in 2019, but five minutes into the discussion, this writer also realized another thing was true: it was one of the most revealing.

Death’s start began in 1971, when three Detroit brothers — guitarist David, bassist Bobby, and drummer Dannis Hackney — turned on their instruments in a room in their parents’ modest home and got to channeling the raucous sounds of The MC5, the grandiose rock of local upstart Bob Seger, and The Who, much to the chagrin of their slightly more buttoned up neighbors. Despite their reverence to the most obvious, looming musical influence of the city at the time, Motown, and in a move especially treacherous for Black musicians, the brothers instead decided to play music that wasn’t going to get them booked at any R&B studio sessions: rock n roll. Continue reading →

By

Two To Tango: &More’s Donn T and Chill Moody

&More | photo by Dejanaya Spicer | courtesy of the artist

Two members of Philly hip hop royalty such as songstress Donn T and rapper Chill Moody would usually be found headlining their own shows and making their own records. Yet, for 2018 and 2019 — and beyond, in accordance with their wishes in this interview — the regal twosome will be known as  &More. The pair’s poignant, passionate debut is Ethel Bobcat, and that release’s celebration / live reveal is April 26 at Johnny Brenda’s. Continue reading →

By

Resistance and Resilience: Taina Asili on merging music and activism

Taina Asili and band | photo by Kiki Vassilakis Photography | kikivassilakis.com | via facebook.com/tainaasilimusic

Tonight, Philly welcomes back Taina Asili, a musician, activist, and documentarian whose group will be rocking the Rotunda with their highly spiritual, amalgamated blend of merengue, cumbia, reggae and DIY punk.

It’s an amazing mix of styles fully realized on the new album they’ll be celebrating, Resiliencia. Support for the band will be provided by the equally eclectic Afro-latin future fusion band Interminable. We sat down and chatted with Asili about power of music, culture and spirit. Continue reading →

By

How Laser Background’s Andy Molholt and Ava Luna’s Julian Fader rose to the summer camp songwriting challenge of Coughy

Coughy | photo by Natalie Piserchio | courtesy of the artist | nataliepiserchio.com

With great summer camp memories come great friendships. With highly efficient recording sessions come infectious albums. Combine the summer camp memories with the recording sessions in two vastly different settings; now pour over the friendship and you have Coughy’s debut album, Ocean Hug.

The twenty-song effort comes from Andy Molholt and Julian Fader, of Laser Background and Ava Luna fame, respectively, while spending the summer of 2016 together at Buck’s Rock Creative and Performing Arts Camp in New Milford, Connecticut. While counseling and teaching classes on songwriting to kids aged anywhere from eight to eighteen, the two managed to find time for some late-night recording sessions in the studio at the camp. It wasn’t until they started playing together that they decided to make all their songs as close as possible to being only one minute long. Continue reading →