Adrianne Lenker may be best known as the vocalist and songwriter of Big Thief, but fans of the popular indie band would be remiss to overlook her solo work. The prolific musician will release her next solo album, abysskiss, next month, and while Big Thief will be busy touring this fall, Lenker will tour the new album in early 2019, with a stop at the First Unitarian Church on February 15. Singer-songwriter Luke Temple will open. Continue reading →
Adrianne Lenker, the vocalist and songwriter for indie trio Big Thief, has announced a new solo album, abyskiss and released the first single, “cradle.”
Capturing Lenker’s rich songwriting in a haunting and intimate folk arrangement, “cradle” is a chilling track that recalls the minimalist dirges of Sun Kil Moon. Talking of the album’s creation, Leneker says she “felt a growing need to document this particular time in her life in an intimate, immediate way.” The album, then, is her “document” of the songs she’s written for herself while touring and recording with Big Thief over the last few years. Continue reading →
Two seated shows on a snowy night at Johnny Brenda’s last Wednesday night had the audience holding their breath in fear of interrupting these intimate solo performers. If you closed your eyes you, couldn’t tell that anyone was in the room beside the person onstage. Performing for sold out crowds at 6 p.m. and 9 p.m., Adrianne Lenker (co-frontperson of acclaimed indie folk act Big Thief) and Nick Hakim had the room’s complete attention. Continue reading →
If you couldn’t attend the Project Pabst fest this past September — and if, like I, you were distraught at missing Big Thief performing in the general vicinity without your presence to soak in the immense beautifulness of it — don’t you fret. You can still experience the soft, lulling magnificence of front woman Adrianne Lenker’s project this March at Johnny Brenda’s. Continue reading →
Taking a break is not on Big Thief‘s agenda. The indie rock/folk band released their third album, U.F.O.F., in May. After completing the album, the band set out to work on its follow-up. Following the U.F.O.F. sessions, the band moved to about 30 miles west of El Paso, to Sonic Ranch studio, where they recorded Two Hands. Out on October 11th, Two Hands is the Adrianne Lenker-led band’s fourth record and second to be released in 2019. In support of their 2019 albums, Big Thief are heading out on a North American Tour this fall. They will play Union Transfer on Saturday, November 9th.
Big things are happening for indie rock/folk band Big Thief. After two successful albums — Masterpiece in 2016 and Capacity in 2017 — the group is set to release a third album this May mysteriously titled, U.F.O.F. This is the first album Big Thief has released since signing with 4AD, and the title track, “UFOF”, is out now. If that weren’t enough for you folk rock alien-believers, Big Thief has also released a North American tour that will stop at Union Transfer in November. Continue reading →
After the excitement of ushering in the New Year, sometimes the winter months can become a bit bleak. The holiday season is over, but the freezing cold temperatures remain, and it can be tempting to stay indoors as much is possible. But we all know that the best way to keep the doldrums away is by catching some live music, and lucky for us there are a lot of great shows coming our way this winter. Here’s what The Key recommends. – Sarah Hojsak Continue reading →
Brooklyn-based indie rock band Big Thief announced their fall tour and are set to appear at Philly’s First Unitarian Church in October. The tour announcement comes on the heels of Big Thief’s recently-released experimental EP, Wide Winged Bird. The EP was made while on tour from summer 2015 to spring 2017, and contains ambient background sounds, field recordings, poems, and songs intertwined through out the 30-minute experience. Continue reading →
As far as years go, 2017 was…complicated. And so it stands to reason that The Key’s annual go at determining the top 15 albums of the year — the records that resonated the most with us, the collections of songs that best captured the spirit of the past twelve months — was no straightforward affair.
In 2017, we thrilled to the reflective psych-rock sprawl of Philly’s The War on Drugs, a seasoned band delivering its most confident and refined artistic statement to date. We also heard the hushed introspection of Big Thief‘s sophomore album, which transformed trauma and pain into beautiful atmospheric folk. Artists looked deeply inward to discover raw personal truths, whether we’re talking about U.K. singer-songwriter Sampha, Philly newcomers Katie Ellen or hip-hop mogul Jay-Z, sounding more down to earth and honest than he has in years (decades?). They refused, as Lorde and (Sandy) Alex G did, to be confined by boxed-in preconceptions of their work, and pushed their chops into new territories, whether they be on album three (The Districts) or nine (Spoon).
A common thread was embracing vulnerability, practicing self-reflection and finding inner strength. That’s the story of albums by Waxahatchee and Harmony Woods, Cayetana and Kelela. It’s also an undercurrent to Kendrick Lamar‘s remarkable DAMN., which The Key’s contributors rallied around to vote it number one album of the year. Our John Morrison does a deep dive on the record, dissecting its nuanced pairing of hard-hitting hip-hop production with complex themes about fear and internal conflict, virtue and vice, weakness and wickedness and whether those traits make us flawed.
Last year, you’ll recall, was also a complicated year. It left many in artistic circles revving up to fight and affect change…and some, like Hurray for the Riff Raff, chased that impulse with thrilling results. But it seems that the records that stuck with us the most at year’s end are all saying, in one way or another, that before we go out to better the world, we need to look within and (to borrow a phrase from Adam Granduciel and co.) gain a deeper understanding of ourselves. – John Vettese Continue reading →