Everyone is familiar with occasional feeling of loneliness where you feel oddly detached from a person or a place you’re usually connected to. Maybe somebody screwed you over, or maybe you’re exhausting yourself by repeating your own mistakes. Either way, you’re unsettled. Philadelphia four-piece Tate conveys this aura in their latest indie-rock single “Bad Hangover.” We’ve all been there. Continue reading →
In the two years since the release of his debut solo album, Michael Cormier has been very busy. He has released two albums with Hour and one with Friendship. Now, the Philly based multi-instrumentalist has announced his second solo record. Titled Days Like Pearls, the album is set to be released on June 9th via Cormier’s own Dear Life Records.
Ever get such anxiety that you get lost in your own thoughts as you’re trying to make your way through your day? You misplace your keys or wallet, you constantly repeat yourself in conversation, you forget where you’re walking, or driving, or riding to. Philadelphia indiepop four-piece Tate captures that moment on their breezy new single “Lombard.” Continue reading →
From the reggae sound systems of Jamaica in the 70s, to England’s illegal pirate radio stations of the 1960s and beyond, the history of global DJ culture is impossibly rich and complex. In music circles around the world, Philadelphia is recognized as a breeding ground for some of the world’s best DJs. Having to bridge the gap between technical skill, taste and a deep knowledge of the music one plays, the art of being a (good) DJ in this city no simple task. Club culture in this city is built upon a foundation of decades of history and tradition.
In the wake of the cultural and economic boom of the disco-era (led by Philadelphia International Records), the essence of modern DJing as we know it began to take shape. Spurred on by a few key technical innovations — most notably, the creation of extended, “remixed” versions of popular R&B / soul cuts, the 12” vinyl single, and the practice of creating a seamless flow of music by mixing two records together on two turntables and a mixer — the disco-era initiated a gradual shift of focus away from bands and concerts, toward DJs and clubs, and effectively changed the way we experience music. Continue reading →
Melinda Steffy, Executive Director of LiveConnections, sounds winded when we speak. Not because she has scaled a thousand steps and is catching her breath. Rather, it is because Steffy is crossing T’s and dotting I’s on every detail going into A Song Everyone Can Sing: a Community Sing, a grand communal event on Sunday, March 10, at the Temple Performing Arts Center that acts as the centerpiece of LiveConnections’ 10th season. Along with its usual mission of community building and inspired education through the act of collaborative live music making, the not-for-profit LiveConnections — founded in 2008 by Hal Real from World Café Live, a home to the LiveConnections Presents concert series — brings accessibility and inclusion into its socially responsible mix with A Song Everyone Can Sing. Continue reading →
Bundled up music fans made their way into PhilaMOCA late last month to see a gig headlined by Nashville-based grunge pop trio Daddy Issues. The band was recently in Philadelphia supporting The Menzingers this past November. Apparently there was a man in that crowd who yelled “Mind your business” to drummer Emily Maxwell after she spoke to the audience about being kind to each other. Come on Philly, let’s be better! I am glad that Daddy Issues had a much better experience in the city this time around. I can totally say that seeing them live turned this casual listener into a full blown fan, and I look forward to hearing more from them…as well as their openers. Continue reading →
With his prison reform campaign and a new album, Meek Mill has the city in the palm of his hands. But to be frank, Meek wouldn’t be where he is now without the forefathers of Philly hip-hop: State Property.
The collective formed in 2000 with members Freeway, Beenie Siegel Peedi Peedi, Oschino, and Omillio Sparks, and the Young Gunz (Young Chris and Neef Buck), many of whom went on to successful solo careers. State Property was a movement: in addition to multiple chart-topping songs, the collective had two movies and a clothing line to their name. Simply put, State Property is legendary — and they’re back on the local stage this weekend. Continue reading →
It’s another chill week, but we’re fortunate in Philly when a chill week still means we’ve got a diverse spread of concert options large and small. The DIY scene goes acoustic in the First Unitarian Church side chapel, a Philly legend cuts it up on the 1’s and 2’s, a cult favorite of reggae at Kung Fu Necktie, and a reunion by a force of nature in 90s rap: here are ten concerts to see all around Philadelphia in the next seven days. Continue reading →
We first caught wind of local singer-songwriter Rachel Andie and her band The Fifth Element earlier this year when they were one of a handful of Philly artists to enter NPR Music’s Tiny Desk Contest. Andie performed “Astral Projection,” a song off her 2016 concept album The Common Calamity, for that entry, but now she’s back with a brand new album, Tu Me Manques. The songwriter and multi-instrumentalist has been making music solo for a few years, but this is her first release with her full band, a six-piece alt-folk outfit of fellow local musicians and educators (Andie herself is an elementary school music teacher by day). Continue reading →