The one and only Ringo Starr took The Met stage last night alongside his All-Starr Band. The venue swelled with peace and love as the former Beatle and his talented, well-résuméd friends worked through classic after classic, covering decades of hits. “All I can promise is that each and every person in the audience will know at least one song tonight,” Ringo said before the band got grooving, evoking a roaring applause with his signature double peace sign. I think it’s safe to say that everyone knew a lot more than just one song. Continue reading →
Tuesday, night Anderson .Paak and the Free Nationals treated his Philly fans to a magnificent show at The Met, just months after their rousing show at The Fillmore. This latest show is part of .Paak’s “Best Teef In The Game Tour” which is in support of his new album, Ventura, released just five months after last year’s Oxnard. With a set that stretched five albums, .Paak demonstrated yet again, that he is one of the best out there. Continue reading →
Since breaking out all the way back in 2013, GRiZ has continued to raise the bar for combining electronic, jazz, dubstep, and funk sounds. This is surely not a combination that most take on the task of creating, but he’s made it work at festivals like Electric Forest, Lollapalooza, and Bonnaroo. His headlining tours are the best exemplification of his distinct talent, though, and we saw that when his Ride Waves tour came to The Met on Saturday.
Starting the show off with an dazzling set of strobing white lights, GRiZ’s silhouette appeared on stage with an intensity like no other. His presence on stage ignited the electricity in the audience, filling the room with stimulating energy. Continue reading →
The King has returned, and he did so with much fanfare. March 15 was the start of the Meekend, and Philly’s favorite rapper, Meek Mill, kicked it off with his first sold-out headlining concert at The Met Philadelphia, his first hometown show since his release from prison last year.
Meek’s welcome home was a rather grandiose experience. Social media was plastered with images of Meek exiting SCI Chester, hopping on a helicopter heading to the Well Fargo Center to catch a Sixers game court-side with his son.
With the support of part-owner of the Sixers, Michael Rubin, as well as District Attorney Larry Krasner, and Jay Z, Meek has become the celebrity face of prison reform. This new role is an interesting juxtaposition for an artist who has been very vocal about his involvement in illegal street activity, though the two are not mutually exclusive. The reason for Meek’s latest incarceration stint was arguably low stakes — a probation violation that stemmed from a guns and drug case that he acquired when he was 19 years old.
For a while, Meek was going through a seemingly never-ending series of L’s, of course significantly less consequential than his incarceration. These losses included a highly publicized beef with Drake, where the Canadian rapper released to back-to-back dis songs, before our local fav could even get a word in edgewise. Meek also found himself single after he and his long-term girlfriend Nicki Minaj broke up. Funny enough, Philly folk did not hesitate to bump any of Drake’s diss tracks. Despite all this Philly still loves them some Meek and it showed during the Meekend. Continue reading →
Singer-songwriter Jenny Lewis returns this spring with On The Line, her much-anticipated first album in five years. Her first single from it, “Red Bull & Hennessy,” was revealed last month, along with an initial offering of tour dates. Today, Lewis returns with the smoking rock and roll ballad “Heads Gonna Roll,” as well as an additional run of east coast performances that finds her coming to The Met Philly on Saturday, October 26th. Continue reading →
If you didn’t snag tickets to the super sold-out Kacey Musgraves show that graced The Fillmore Philly last month, fear not: the acclaimed country-pop singer songwriter is returning to Philadelphia in late summer as the second leg of her run in support of last year’s Golden Hour — the Oh What a World: Tour II, she’s calling it — comes to The Met Philadelphia on September 11th. Continue reading →
Perennial blues rock favorites Tedeschi Trucks Band recently announced that their new album Signs will be released on February 15, and they’ll be heading out on a tour that includes a stop at the new Met Philadelphia on Feb. 26. Signs will be the band’s fourth studio album, and its lead single “Hard Case” is out now. Tickets for the Philly show are currently on sale. Continue reading →
A chilly breeze cut up Poplar Street yesterday morning, blowing broken caution tape and discarded Wawa bags above the heads of dignitaries gathered for the ribbon cutting of The Met Philly. Out on the building’s North Broad Street face, a team of carpenters scrambled to reinforce windows and hammer out other down-to-the-wire touch ups.
“Did you bring your checkbook?” developer Eric Blumenfeld asked his colleagues from the podium. “We still have some work to do.”
The crowd chuckled at his quip, but it seems that The Met will be well into its inaugural season before work on the building is completely finished; and not for nothing, either, since renovating a century-old music venue is a delicate task. Not that the casual concertgoer will really notice the ongoing work. The parts of the venue that matter the most — the concert hall, the bars and other hospitality centers — were mostly in full swing last night for the opening concert with Bob Dylan and his band. And from there, the calendar only gets more exciting: John Legend tonight, Lindsey Stirling in a couple weeks, Kurt Vile near year’s end. As Live Nation’s regional president Geoff Gordon said upon taking the mic, “We don’t want to be pigeonholed into one genre, whether it be Tyler Perry or Charlie Wilson, whether it be PnB Rock, Mariah Carey, or Bob Dylan. We’re going to do it all.”
Returning to the venue just ahead of showtime, the disarray of the morning — confetti strewn around the streets, construction gear lining the sidewalks — had all been swept away for the glitz and glamour of a searchlight casting a radiant golden glow on the building’s white brick facade and arched windows. Once inside, though, the mood of the night became remarkably more casual. This didn’t feel weighed down by the formality of, say, seeing a show at the Kimmel Center or Academy of Music, where you’re likely to be surrounded by concertgoers wearing button-up shirt / tie combos or and cocktail dresses, sipping wine out of plastic cups. Some of that was going on at The Met, sure, but for the most part the vibe was a rock show audience in a venue filled with grandeur. Continue reading →