How Queens-born Aime aimed for Philly’s hip-hop scene

Aime | photo by Mike Ryan | courtesy of the artist

It’s easy to fall in love with the city of Philadelphia. I moved to Upper Darby when I was 13 years old, and for the past 16 years I’ve grown to cherish this gritty cultured city as my own, the same way Queens-born rapper Aime has.

Since coming to the north side of Philadelphia while attending Temple University ten years ago, the aspiring hip hop artist admired the how the city shared his appreciation for creating quality content with lyrical ability. That love is what got him into Philly’s hip hop scene allowing to meet known local acts (like Chill Moody) as well as his mentor (producer Dameadelphia who has worked with Philadelphia’s own the Grammy award winning hip hop band legendary The Roots ).

Projects like Aime for the Sky, Class Act, When It’s Cold Outside and Perfect Aime have helped the MC earn his stripes, while Book of David and The David EP aided him into getting recognized by the city he calls home. However, his recent project Flowers Started Dying Yesterday shows a more polished and confident Aime, telling the beautiful yet sad tale of the cycles of life.

While Aime prepares for performing at Dayne Jordan‘s annual No Place Like Home party this weekend, I got a chance to sit with him to discuss his journey in the Philly hip-hop scene, how the city became his second home, and the backstory to the musical drama Flowers Started Dying Yesterday. Continue reading →


Watch The Roots cover the 60s pop classic “More Today Than Yesterday”

The Roots | still from video

50 years ago this winter, the NoCal psychedelic pop band Spiral Staircase released their biggest hit single, “More Today than Yesterday,” and this week Philadelphia sons The Roots paid tribute to the song in a closing segment on The Tonight Show Starring Jimmy Fallon. The performance is set on the Django stage of the Roxy Hotel in the Tribeca neighborhood of Manhattan, and features Black Thought delivering some of the classic crooning we heard him debut with the “Conception” single last year, working the high notes on the prechorus and everything. Continue reading →


20 Years of Grandiose Hip-Hop: How Things Fall Apart taught The Roots to balance art, commerce, and deeply personal perspectives

The Roots, circa 1999

“We had given most of our adult lives to that point to the band. What if success never came to us, or never came in the form we expected? – Ahmir “Questlove” Thompson

As a teenager growing up in Philadelphia in the mid-to-late 90s, radio was a really big deal. Guided by that old algorithm of the human spirit, a handful of radio shows and the DJs and personalities that captained them fed and diversified my ever-growing musical appetite, from J. Michael Harrison’s electric Jazz fusions on Temple’s The Bridge, to the quirky Indie Rock of the Sarah and Laurie Show from Princeton’s WPRB. I’d bounce off my bedroom walls to sounds of mainstream Alternative Rock on Y-100 and fall asleep to the ambient soundscapes of John Diliberto’s Echoes and Chuck Van Zyl’s Star’s End on WXPN.

Like many kids, I’d often call into radio stations and request whatever songs I wanted to hear. Unlike most kids, the budding archivist in me would compel me to press record on my combination radio / cassette deck each time one of my request calls made it on air or my name was shouted out by a show’s host. By the time I graduated high school and I had filled up a tape of my radio mentions and shout outs.

One night, a new song by Philadelphia’s own The Roots had come across the airwaves and floored me. Slick and modern, the song fused lovelorn verses from Black Thought and a pre-fame / pre-Ruff Ryders Eve with a killer hook sung by Erykah Badu (and written by Jill Scott). Two bars into the song’s final chorus, the plodding, straight-forward drum beat that Questlove had held lockstep for the entire song transformed into something altogether different. Continue reading →


The Essential Love Songs of Philadelphia: “Act Too (Love Of My Life)” by The Roots

The Roots in the 90s | via Twitter / Tidal

We’re a little obsessed with the idea of love here in Philadelphia, and don’t let anyone tell you otherwise. Maybe it’s iconic status of Robert Indiana’s pop art sculpture on permanent display downtown, maybe it’s embedded in the very DNA of our name. And maybe, just maybe, it’s the amount of pop music we’ve produced over the decades, testifying to eternal devotion in its various forms. Every day leading up to Valentine’s Day this year, The Key is recapping 14 songs that scream “love” just as strongly as they scream “Philly.” The Essential Love Songs of Philadelphia begins with “Act Too (The Love of My Life)” from The Roots’ 1999 album Things Fall Apart.

We commonly think of love songs as celebrations of person-to-person love, which is sort of a limiting view. Sure, you could argue that this is the only form of love that can truly be reciprocal, but it is hardly the only form of love that is important. We can love places, we can love ideas, we can love art forms that motivate us and inspire us and push us to be better humans. And that’s the sort of love that comes into play on The Roots’ “Act Too (Love of My Life),” a stand-out song from their breakout album, 1999’s Things Fall Apart.

Over an expanse of five dreamlike minutes — loops of steady trumpet drones, lilting flute melodies, suave wah-wah guitar, and Ahmir “Questlove” Thompson’s dulcet but determined drumming — MC Tariq “Black Thought” Trotter opens the scene from the stage as he’s about to break into a rhyme, a setting lifted and expounded upon a few years later by Eminem in “Lose Yourself.” In that time-frozen moment, Thought stares “with my eyes closed and dove / Into the deep cosmos.” What thoughts are going through his head? Questions of how he got where he got, questions of what helped him along the way; not just helped, what guided him, what made his ascent possible on the most basic level of existance. Continue reading →


Watch The Roots back Erykah Badu as she mashes “On and On” with Fela Kuti’s “Sorrow, Tears and Blood”

Erykah Badu
Erykah Badu | photo by Andrew Lipovsky for NBC | courtesy of the artist

For the past six years, the recordings of Nigerian multi-instrumentalist Fela Kuti have been reissued in a series of limited-edition vinyl box sets, curated by peers and fans including Questlove (2011’s volume 1), Ginger Baker (2012’s volume 2), and Brian Eno (2014’s volume 3).

The latest installment, Fela Kuti Vinyl Box Set 4, was just released this past Friday, and curator Erykah Badu took to the stage of The Tonight Show Starring Jimmy Fallon last night with her old buds, The Legendary Roots Crew, to perform a medley of Fela’s “Sorrow, Tears and Blood” — from the 1977 album of the same name, recorded with Afrika 70 — alongside her own “On and On” from 1997’s Baduizm. Continue reading →


Gather round tight as The Roots rock NPR Music’s Tiny Desk with the new song “It Ain’t Fair”

The Roots at NPR Music’s Tiny Desk | via NPR Music

The Legendary Roots Crew played an epic Tiny Desk Concert in DC over the weekend, and the whole place was bouncing. Most artists fill their slot at NPR with two or three songs, but The Roots were jamming out to one song, twelve minutes, eight people crammed behind the desk brass band style.

The song is a new one called “It Ain’t Fair,” and featured fellow Philly native Bilal on vocals for a performance of enormous proportions. A true ballad, it began quietly, with the drums and the tuba taking reigns on the rhythm. Then, in full force, the rest of the brass joined in, and it was electric. Bilal has a voice reminiscent of Prince, and I drew the connection instantly. So soulful and jumpy, he truly stole the show when he walked in a few minutes into the song. Continue reading →


Watch The Roots play with The Dallas POPS Orchestra for their Night of Symphonic Hip Hop

The Roots and Pharrell at The Roots Picnic | Photo by John Vettese for WXPN

The Roots gave a performance unlike anything they’ve ever done when they took the stage with The Dallas POPS Orchestra — and guests like keyboardist Erykah Badu, Robert Glasper, Chaka Kahn and more –  to celebrate their Night of Symphonic Hip Hop concert at the Music Factory, and it was absolutely unreal. There were so many levels added to fan-favorite Roots songs with the help of a symphony to back them up, and this powerhouse band held nothing back. It was an enigmatic collaboration that we didn’t even know we needed. Watch the performance below. Continue reading →


STS and Khari Mateen kick back and savor the simple things in “Better On A Sunday” video

Khari Mateen and STS | photo courtesy of the artist
Khari Mateen and STS | photo courtesy of the artist

For Atlanta-to-Philly rapper STS and multi-instrumentalist / producer Khari Mateen, combining their musical powers for epic results is no new phenomenon. It comes naturally to these extended Roots crew members, and this smooth easiness emanates from every fiber of their new track, “Better On A Sunday.”

With Mateen grounding the track in slow-tempo bluesiness through achey guitar twang and the soulful, steady chorus, STS peppers in texture as he raps verses in tribute to the everyday blue collar worker. Continue reading →


The Roots have recorded 263 songs for new record because they are The Roots and they can

The Roots and Pharrell at The Roots Picnic | Photo by John Vettese for WXPN

Two hundred and sixty three songs. The Roots have written and recorded 263 songs for their next album. Now, after we all take a moment to stare blankly in confused awe for a few seconds, I think this is the part where we plebeians who are not The Roots go and bow in grace and honor to the musical wizards that they are. Continue reading →